2013
June 3, 2010
Artist Contact: linaraymond100@gmail.com
40″ x 28″, acrylic on wood
40″ x 28″, acrylic on wood
40″ x 36″ acrylic on wood
40″ x 28″ acrylic on wood SOLD
40″ x 36″ acrylic on wood SOLD
40″ x 36″ acrylic on wood SOLD
40″ x 36″ acrylic on wood
Selected works from 2011:
MONOPOLIZED (48″ x 48″, acrylic on canvas) SOLD
To Have Had and Had Not (Rockwelled )
50″ x 40″, acrylic on canvas with over-glazing; wood frame
Tender Mercies of the Murphy (28″ x 42″ acrylic on wood)
Household Saint (acrylic on old ironing board)
Paintings shown below: 2010′s Bearing Witness/adaptation
Building Swedish (48″ x 24″, acrylic & pencil on wood) SOLD
Abraxus Adieu (16″ x 24″, acrylic on wood) SOLD
The Holdout II, During (48″x48″ acrylic on wood) SOLD
Googie Ghost (30″ x 40″, acrylic on canvas) SOLD
The Holdout I, Before (36″ x 48″ acrylic on wood) SOLD
The Holdout II/Compressed (24″ x 48″ pencil on xerox) SOLD
The Holdout III, After (36″ x 48″, acrylic on wood) SOLD
Sunset Bowled (30″ x 36″, acrylic & pencil on wood) SOLD
Bardahl Sky I (22″ x 30″, acrylic & pencil on wood) SOLD
Archeologists’ Sundeck, (14″ x 18″, acrylic on wood) SOLD
Ballard Camera (22″ x 30″, acrylic & pencil on wood) SOLD
Epilogue (14″ x 18″, acrylic & pencil on wood) SOLD
Selected press links for Bearing Witness/adaptation:
The following “Previous Works” are some of my favorites from painting in Santa Monica, paintings inspired from the train trip north, and a few commissioned pieces:
June 10, 2010 at 3:41 pm
These paintings are simply stunning! Rarely do I get such emotion from paintings but I’ve been quite saddened by all the lost Ballard areas and you’ve captured them wonderfully.
I’ll be calling the wine bar to see what the price is for these, I’m hoping they’re (relatively) affordable.
February 16, 2013 at 3:14 pm
Hello, I just discovered your blog thanks to a Cheri Lucas’ post and I am really impressed. I clicked on the link especially because I saw you were painting with acrylic colours on wood, which is my favourite technique and I wanted to learn more on a professionnal artist’s use of this technique.
I also appreciate the variety of your paintings, between the abstract ones, your trompe-l’oeil (“The tender Mercies of the Murphy”) and the precision of your architecture paintings.